RETURN TO SHANGRILA - HEAVEN  
SUN GUANGYI  
 
 
 
   

West Sumatra Earthquake - Charity Fundraising

West Sumatra in Indonesia was rocked by two earthquake, occurred on Wednesday 30 September 2009 at 17:16, in which the highest one was recorded at magnitude 7.6 SR. Padang (popn. 900,000).

296 people are reported to be missing; 863 people are severely injured and 1,356 are slightly injured. Many houses were destroyed in Padang, including markets, hospitals and the Minangkabau International Airport.

Sin Sin would like to support the fundraising for this disaster during the upcoming Sun Guangyi's solo exhibition- "Return to Shangrila- Heaven" from 15 Oct - 6 Nov, 2009. 20% of the total sales proceeded will be donated to "Sakato group", an organization which is led by a group of Indonesian artists in the help of fundraising for the earthquake.

"As a painter, there is nothing much I can do. As a Buddhism practitioner, I would like to devote more blessings to this world." - Sun Guangyi

Please come and join this meaningful cause.  

 

 
   
OPENING RECEPTION
15 OCTOBER 2009
   
   
EXHIBITION DURATION
15 OCT - 6 NOV, 2009
 
   
EXHIBITION ADDRESS
SIN SIN FINE ART
1 PRINCE'S TERRACE, MID-LEVELS, HONG KONG
+852 2858 5072
 
 
Asian Art
,

Sin Sin Fine Art is delighted to present "Return to Shangri-La- Heaven", a solo exhibition by a Chinese artist Sun Guangyi, from 15 October till 6 November 2009.


"All day long I looked in vain for a sign of Spring
My grass shoes raising clouds from the dust of all fields
Returning home, smiling I pick a plum-blossom and sniff it
And look Here on the Sprig is Spring in its fullness"


This is a poem written by a Bhikkhuni (a fully ordained female Buddhist monk) in the Song Dynasty when she achieved enlightenment, which also represents my present insight of art. For all these years I have sought after the “Shangri-La of the Heart”, and to paint the ideal state of art I walked through all the Shangri-Las in geographical terms, was touched by their landscapes, humanities and religions. Still they were not the “Shangri-La” that I sought. Looking back, I become suddenly aware that “Shangri-La” is in fact everywhere: in the innocent smiles of children, in every white cloud upon the blue sky, in the blossoming branches of spring, in the winter snow. Shangri-La is in each and everyone’s heart, in the present when we are enjoying life, in the present when we meditate over a pot of tea, in the present when we are strolling leisurely, in the present when we feel joyous and grateful.


These few years in Yunnan, from the subtropical Xishuangbanna to the frosted Shangri-La, my feet have walked the ancient tea-horse road. At the courier stations remain fragments of the ancient culture, prayer flags upon the frozen sacred land, Mali stone piles, practicing monks from different traditions, and people from various backgrounds. All these humble ink trails of life, travel and experience of practicing Buddhism are for me a form of sharing the joy.


There is no form beyond form. Choosing pure brush and ink, through the material world, I concentrate on the internal feeling of that particular moment. Sometimes outrageous, sometimes subtle, sometimes graceful, sometimes intense, they are all the effect the outside world has on the heart, and are also the reflection the heart casts upon the outside world.


We all have in our hearts our own “Shangri-La”. It is possible that we can never attain it in this life, and yet it is the lighthouse of our lives, keeping us from hesitation and confusion in our journey of life. It is also our soul’s homeland. Its existence frees our souls from ever wandering, provides our spirits with a home, and frees our lives from loneliness. 


Be grateful to the gifts of life!


Be grateful to every tree and every grass blade, the mountains and the earth for the nurture they give us! 
by Sun Guangyi, Yunnan Province



Sin Sin Fine Art
1015起舉行中國畫家孫廣義的水墨畫展。畫展名為《回歸香格里拉- 天界
以下是孫廣義從雲南大理寄予我們的祝福, 且希望我們從他的作品中分享他對生活、旅行、禪修的喜樂:


    “盡日尋春不見春,芒鞋踏破嶺頭雲。歸來偶撚梅花嗅,春在枝頭已十分。


這是宋代一位比丘尼開悟後寫下的偈頌,也正是我如今對藝術的感悟。這麼多年一直想尋找“心中的香格里拉”,畫出理想的藝術境界。我走遍了地理意義上的香格里拉,被那裏的山川河流、人文宗教所感動,但那都不是我要的“香格里拉”。驀然回首才發現“香格里拉”無處不在:在孩子天真的笑臉裡;在藍天上的一朵白雲裡;在春天含苞待放的枝頭上;在冬日的一片雪花裡。香格里拉就在我們每個人的心裡,在我們享受生活的當下,在我們品茗遐想的當下,在我們悠然漫步的當下,在我們歡喜感恩的當下。《華嚴經》中“心如工畫師,能畫諸世界”,藝術創作亦復如是。


這幾年在雲南,從西雙版納的亞熱帶風情到香格里拉的茫茫雪域,雙腳在千年的茶馬古道上一路走來,古道驛站上留下的支離破碎的文明,雪域聖地的風幡、瑪尼石,修習不同教派的僧侶,形形色色的普通人,這些生活、旅行、禪修經歷的平實墨跡是我分享喜樂的一種方式。


有形之外是無形,選擇純粹的筆墨,透過現實世界,專注那一刻內心的感受。或狂放,或內斂,或淡雅,或濃重,都是外界作用於心的結果,亦是心裡對外在的映射......


其實我們每個人的心中,都有自己的"香格里拉"。也許我們今生都無法到達,但它卻是我們生命中的一盞燈塔,使我們在人生的道路上不致躊躇和迷惘。它也是我們心靈的家園、故鄉,使我們的靈魂不再去流浪,使我們的精神有所歸依,使我們的生命不感到寂寞和孤獨。
感恩生命中的給予!
感恩一草一木、山川大地的滋養!


孫廣義寫于雲南大理